Looking at the promotional videos of the movie, Chitrangada
- The Crowning Wish, one might get the feeling that it is a personal film. You
might even say that the film takes us one step closer towards a progressive society
which is still coming to terms with the concept of homosexuality. Or, you might
also refer this movie to be educating about same sex relations rather than
preaching about the same. Whatever your opinion might be, Chitrangada - The
Crowning Wish will always remain a film that you cannot ignore in the context
of modern Indian cinema.
Mixing legend with realism, Rituparno Ghosh throws a lot of
questions towards us while answering a few while leaving the rest open to
individual understanding. How difficult is it for parents to accept the fact
that their son is gay? How difficult is it for a gay man to be told repeatedly
that he needs to see a doctor to treat himself? And how traumatically shabby is
it for a male couple to realize that they will never be allowed to adopt a baby
even when they know that biologically they can never have a baby of their own?
While it's true that movie makers overseas have plainly worn
out themselves dealing with same sex dilemma and complexities, Indian cinema is
slowly but gradually coming to terms with this trend. This fact will surely
make Chitrangada - The Crowning Wish a cause for rejoicing. However, by looking
at the movie in its totality, there is still a lot more paths to be treaded
before we can finally celebrate.
The film stands due to some very commanding performances.
Jisshu Sengupta has delivered one of the finest performances of his life and he
portrays the role of a junkie to perfection. Minimalism has always been a forte
for Anjan Dutt, and he uses this skill to play the role of a counselor to
perfection. His patience helps in recounting and reliving the emotional moments
of the protagonist's life.
Anasuya and Dipankar bring to mind a sense of compassion
that's applicable to the modern society when they portray the role of Rituparno's parents.
Sanjay Nag was a good choice for the role of the photographer in the movie.
Raima Sen and Aparajita Auddy, though brief in their presence, deliver
according to how the role has been fleshed out for them.
Abhik Mukhopadhyay’s cinematography ensures Chitrangada is a
visual treat. Debajyoti Mishra's selection of songs including the background
score is stimulating.
However, the film belongs to Rituparno. Rituparno comes up
with an interesting performance putting to rest all speculations that he will
portray the role of a gay protagonist well as he is aware of the psyche of a
gay male. The quandary of wanting to change sex, the selflessness of being able
to go undergo sex-change surgery just for the sake of love and then accept rejection
only to be able to call out to the same person again - it would have been an
uphill task for any actor to depict all these on screen.
The best scene in the movie is the poignant scene of a
mother and son when the mother says: "I gave birth to this body, which is
yours... I have a right to know, whatever goes on in this body. I have a right
to know, if it is changing, transforming..."
We know that all of Rituparno’s mannerisms do not appeal to
us. It would be more unappealing to those who are numb to the wants of
homosexual desires or not matured enough to the idea of watching physical
intimacy between two males on screen. For these, Chitrangada – The Crowing Wish
will seem to be an excuse to take the help of myth and mould it with reality
just to prove a point.
Interestingly, Chitrangada as a film that will help you
evolve as a movie goer. The film goes beyond vague explorations of the predicament
of which gender to use to address a man in the process of being a woman. It
questions, as it were, the uselessness of looking for eternalness. This is a
movie, which one must watch with an open mind and for Rituparno Ghosh.
Bhavesh Bhatia loves to watch movies and updates his blog
regularly with review writing.
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